Now, Lars has opened up about his comments, and he seems to be VERY apologetic:
"I'm really sincere when I say I don't really know what hit me. I can understand if you take things out of context. This was very sarcastic and very rude, but that's very Danish. I'm very sorry that it's being taken the wrong way. I must say that I believe strongly that the Holocaust is the worst crime against humanity ever, and I do not sympathize with Hitler one second."
"I didn't want to hurt anyone at all [with this]. Sometimes I hurt people on purpose, when there's provocation that I want to get through that has a meaning. This doesn't have a meaning. I've studied how bad the Jews have been treated in [places such as] Poland and France. This is something that matters very much to me. And this was an idiotic way to behave."
"The reason why it's so big, especially here, is that France has had a problematic relationship with Jews, and you [as an interview subject] shouldn't touch such things. But on the other hand, being a cultural radical, you should touch such things."
"It's a major thing at the festival, and very problematic for the festival. And that's a little strange, because even if I was Hitler, what does that have to do with my film being here? It's a festival for films, not for directors."
"I don't deserve to win a [Palme d'Or]."
"I'm not sure I'll leave Denmark again."
"Half my life I've made very many Jewish jokes because when you are Jewish, you're allowed to do that. And now I feel kind of in-between."
"I'm very much into the Jewish stuff. Even when I found out I'm not Jewish by my genes, all my children have Jewish names. I'm actually — too Jewish….Oh….Don't write that. I'm just an idiot that should just say home in Denmark and never talk to anybody."
la conferencia de prensa va mucho más allá de la provocación es comedia, más que otra cosa: incluyendo las referencias a El Hombre Araña, los orgasmos fingidos y reales de las acr¿trices y la homosexualidad de Udo Kier. http://www.festival-cannes.fr/en/mediaPlayer/11391.html
El señor Trier no necesita vejigas, pero vale http://www.elpais.com/articulo/cultura/Catherine/Deneuve/defiende/Lars/von/Trier/Cannes/elpepucul/20110521elpepucul_2/Tes
además, de algún modo, quedó, Kirste Dunst, lo dijo Gainsbourg, es el alter ego del cineasta en este film. más claro...
A veces hay que leer el todo y no la parte. Pero lo más importante es conocer la historia personal. Menos mal que Catherine Deneuve puso las cosas en su sitio.
Comentarios
tu siempre en elojo de las polémicas
seguiremos revisando y reportando lo que siga
otro abrazo
el mercado del cine, seguirá, enanos y juergas y apuestas, también
el joven danés no se quiso, al final, tragar sus palabras, sólo las restregó
Now, Lars has opened up about his comments, and he seems to be VERY apologetic:
"I'm really sincere when I say I don't really know what hit me. I can understand if you take things out of context. This was very sarcastic and very rude, but that's very Danish. I'm very sorry that it's being taken the wrong way. I must say that I believe strongly that the Holocaust is the worst crime against humanity ever, and I do not sympathize with Hitler one second."
"I didn't want to hurt anyone at all [with this]. Sometimes I hurt people on purpose, when there's provocation that I want to get through that has a meaning. This doesn't have a meaning. I've studied how bad the Jews have been treated in [places such as] Poland and France. This is something that matters very much to me. And this was an idiotic way to behave."
"The reason why it's so big, especially here, is that France has had a problematic relationship with Jews, and you [as an interview subject] shouldn't touch such things. But on the other hand, being a cultural radical, you should touch such things."
"It's a major thing at the festival, and very problematic for the festival. And that's a little strange, because even if I was Hitler, what does that have to do with my film being here? It's a festival for films, not for directors."
"I don't deserve to win a [Palme d'Or]."
"I'm not sure I'll leave Denmark again."
"Half my life I've made very many Jewish jokes because when you are Jewish, you're allowed to do that. And now I feel kind of in-between."
"I'm very much into the Jewish stuff. Even when I found out I'm not Jewish by my genes, all my children have Jewish names. I'm actually — too Jewish….Oh….Don't write that. I'm just an idiot that should just say home in Denmark and never talk to anybody."
¿como ves?
y bueno, el fin del mundo está cerca, cinematográficamente hablando
lo padre es que la Gainsbourg confesó que ella era él en Anticristo y que Dunst es él en Melancholia
habrá que ver quién es él en sus declaraciones y contradeclaraciones
It's always rock and roll
es comedia, más que otra cosa: incluyendo las referencias a El Hombre Araña, los orgasmos fingidos y reales de las acr¿trices y la homosexualidad de Udo Kier.
http://www.festival-cannes.fr/en/mediaPlayer/11391.html
Éstá mamada me ha sacado y borrado mo comentariote respuesta...y estoy emputado.
Así que hay se ven "ambos dos"
2046
hay que estar emputado con la tecnología
el empate de ambos dos, pues, bueno
saludos
http://www.elpais.com/articulo/cultura/Catherine/Deneuve/defiende/Lars/von/Trier/Cannes/elpepucul/20110521elpepucul_2/Tes
además, de algún modo, quedó, Kirste Dunst, lo dijo Gainsbourg, es el alter ego del cineasta en este film. más claro...